Verse 21

तटिल्लेखातन्वीं तपनशशिवैश्वानरमयीं निषण्णां षण्णामप्युपरि कमलानां तव कलाम्। महापद्माटव्यां मृदितमलमायेन मनसा महान्तः पश्यन्तो दधति परमाह्लादलहरीम्॥

taṭil-lēkhā-tanvīṁ tapana-śaśi-vaiśvānara-mayīṁ niṣaṇṇāṁ ṣaṇṇām apy upari kamalānāṁ tava kalām। mahā-pad māṭavyāṁ mṛdita-mala-māyēna manasā mahāntaḥ paśyantō dadhati parama-āhlāda-laharīm॥

Translation

Great ones, beholding with a mind free of impurities and illusion your slender, lightning-like aspect, made of sun, moon, and fire, seated above six lotuses in the great lotus forest, attain the supreme wave of bliss.

Word by word

taṭil-lēkhā
lightning-streak
tanvīṁ
slender
tapana
sun
śaśi
moon
vaiśvānara
fire
mayīṁ
made of
niṣaṇṇāṁ
seated
ṣaṇṇām
of six
api
also
upari
above
kamalānāṁ
lotuses
tava
your
kalām
aspect
mahā-padma
great lotus
āṭavyāṁ
in forest
mṛdita
destroyed
mala
impurities
māyēna
with illusion
manasā
with mind
mahāntaḥ
great ones
paśyantaḥ
beholding
dadhati
attain
parima
supreme
āhlāda
bliss
laharīm
wave

Meaning

This verse describes a tantric visualization of the Goddess as a slender, radiant form (taṭil-lēkhā-tanvī), composed of sun, moon, and fire, seated above the six chakras (kamalānāṁ) in the sahasrāra (great lotus forest). Great yogis, with purified minds, meditating on her attain supreme bliss (āhlāda-laharī). In Śrīvidyā, this represents Kundalini’s ascent to unite with Shiva, central to tantric practice. The verse emphasizes her role as the source of spiritual ecstasy in Shakta worship.